Colin Clark

Computational media artist, creator of Flocking and Signaletic, inclusive design researcher.

Colin Clark is a media artist, design researcher, and software developer. His work is concerned with issues of access to and agency within technology-mediated creative practice. Working alongside open communities, Colin looks for ways to design, build, and sustain cooperative, reciprocal software systems—especially by those without access to conventional programming expertise. He has over 25 years of experience in the field of inclusive design and web accessibility. Colin is currently the Director of Design and Technology at the non-profit Institute for Research and Development on Inclusion and Society.

Colin's artworks explore the ways that technologies produce new temporalities and senses of time, often by combining and repurposing sonic processes in the production of visual media. He develops and improvises with his own algorithmic and process-based video and audio software, investigating the relations between digital, natural, and human systems. In addition to 20 years as an electroacoustic and film music composer, Colin has focused since 2012 on creating digital cinema, video installations, and software-supported generative media art. His artistic software frameworks and tools aim to address the systemic gaps between prototyping and production (including the visual vs. textual programming dichotomy), supporting realtime interoperability across many different platforms and device capabilites, and enabling "continued design," in which systems can continue to be changed in unanticipated ways by their users, throughout lasting lifetimes. His current focus is Signaletic, a data flow programming environment for creating high-performance audio on embedded devices (e.g. Eurorack modules) and the Web.

Colin's music has been performed by Arraymusic, the neither/nor collective, the Draperies, and his own ensembles, Lions and Fleischmop. He has composed soundtracks for films by Izabella Pruska-Oldenhof and R. Bruce Elder that have been shown at film festivals internationally. Colin holds an MFA from OCAD University in Interdisciplinary Art, Media, and Design. He has been a member of Toronto's Loop Collective since 2001.

Contact: colin at colinclark dot org

A five-panel artwork consisting of blurry, snowy Canadian scenes layered on top of each other.